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The Game Room was used for leisure activities and could accommodate up to sixteen people. It was made in 1798, by the cabinet maker Emanuele Girardi, who was known by the friendly nickname “The Neapolitan Thomas Chippendale”, with reference to the famous English designer.
The room was located behind the Gallery and received light only through a small oculus: a circular window placed above the door. The king had direct access to the Chapel form this room, as was also the case at the Royal Palace of Caserta.
Because of the unfavorable exposure and the poor supply of light, the room was equipped with two fireplaces. It was also enriched with two green leather trunk and six game tables. They were painted mahogany and upholstered in green leather, and they were stored in a square box at the end of the day.
Hanging on the walls were nine paintings that have never been replaced: works with a variety of subjects, including market scenes with ambiguous winks or kitchen interiors.
Game with dead hare is among the paintings chosen by Hackert to furnish the
Although dating back to the first half of the 18th century, when the Royal Site
The work Tuna and coral fishing was chosen by Hackert for the Game Room of
The painting is among the oldest at the Royal Site of Carditello, where in 1792
The painting is among those chosen by Hackert to decorate the “Back Room of the
The fishmonger's stall and the greengrocer depicts, in fact, a fishmonger intent
The painting, attributed to Giacomo Francesco Cipper, depicts a fisherman who, w
This work depicts a scene from everyday life of a miserable and patched humanity
The poultry and game seller with spectacles depicts a scene from the everyday li